Jan Petryka tenor
Xiaohui Li soprano
KaJeng Wong piano

Programme

Robert Schumann (1810–1856)

Song Circle, Op. 39

In der Fremde

Intermezzo

Waldgespräch

Moonlit night

Liederalbum für die Jugend, Op. 79

Er ist's

Zigeunerliedchen Nr. 2

Aus 6 Gesänge, Op. 89

Röselein, Röselein!

Myrten, Op. 25

Du bist wie eine Blume

Aus den Hebräischen Gesängen

Lieder und Gesänge aus Wilhelm Meister, Op. 98a

Do not sing in mourning tones

Heiß' mich nicht reden

Fünf Lieder und Gesänge, Op. 127

Sängers Trost

Vier Duette, Op. 34

Unterm Fenster

- INTERMISSION -

Franz Schubert (1797–1828)

Der Winterabend, D. 938

Ganymede, D. 544

Night and Dreams, D. 827

Nachtstück, D. 672

Licht und Liebe

Impromptus, D. 935 (Solo-Klavier – KaJeng Wong)

Nr. 3

Nr. 4

Claude Debussy (1862–1918)

Apparition

Green

Franz Liszt (1811–1886)

Enfant, si j'étais roi

Oh! quand je dors

The German Lied was born in Vienna, Hamburg, and Leipzig—and today, it thrives in Hong Kong, China, and anywhere people embrace it with sincerity and curiosity. This concert tells that story.
 
The program moves between new beginnings and stillness, between the familiar that slips away and the foreign that gradually becomes one’s own. What does it mean to have no home in Schumann’s forests, yet still sing there? That is the quiet question this evening poses.
 
Trained in Vienna and is deeply rooted in the Austrian concert landscape, tenor Jan Petryka is bringing the Lied home, so to speak—together with two musicians from Asia who have carried it with them from another world. Petryka graduated with honors in “Lied and Oratorio” from the University of Music and Performing Arts Vienna and is recognized from the Salzburg Festival, to the Oxford Lieder Festival s one of the most prominent Lied singers of his generation. Bachtrack described his tenor voice as “perfectly focused and led, bright and crystal clear.”
 
Xiaohui Li grew up in China and earned her Artist Diploma at the Hamburg Conservatory – at the very heart of the city where the German Lied has found a special home since Brahms and Groth. Xinmin Wanbao praised her as a soprano of “remarkable precision and artistic sovereignty.” Hong Kong-born KaJeng Wong s one of Asia’s most sought-after pianists; Martha Argerich called him “a special pianist,” and Claude Frank named him the most talented musician of his generation. As a soloist, he will perform two Impromptus by Schubert – pieces where language falls silent and sound alone tells the story.
 
Three performers, three origins, one shared program – and an evening demonstrating that great music does not originate where you grew up, but where you arrive.

Organized by Art Wire & Xiaohui Li. Tickets € 45 / 35 / 25 / 15 (Premium / Cat. 1 / Cat. 2 / Wheelchair / Cat. 3). can be purchased https://artwire.ditix.shop (Link) in advance.
Students and young visitors up to 35 years receive a 20% discount using the code LIEDER20Children up to 12 years receive a 30% discount using the code TRAUM30A valid photo ID must be presented at the entrance.
Companions of concert visitors with disabilities receive free entry – a separate companion ticket does not need to be booked. When purchasing a wheelchair-accessible seat, the companion seat is automatically included.

For group requests, 7 or more people, general questions, or special conditions, please contact artwire.culture@gmail.com.